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THE STRANGE UNDOING OF PRUDENCIA HART

2 years ago

 

NATIONAL THEATRE OF SCOTLAND (SCOTLAND)
Wednesday 13 March - Sunday 24 March, 2013
The Bluestone Room, Auckland CBD
NEW ZEALAND PREMIERE
This Auckland Arts Festival, The National Theatre of Scotland, of Black Watch fame, is taking theatre to a place Kiwis know and love - the pub. The runaway hit of the 2011 Edinburgh Fringe, The Strange Undoing of Prudencia Hart is an opportunity for audiences to pull up a bar stool, grab a dram and settle in for an evening of great theatre, live music and unusual comings and goings.
One wintry morning Prudencia Hart, an uptight academic, sets off to attend a conference in Kelso, a town on the Scottish Borders.  When the snow begins to fall, she takes shelter in a local pub, and as the blizzard sets in, Prudencia finds herself 'locked-in' with a cluster of locals. That's when she hears about the life-altering song. What Prudencia doesn't know is that the song belongs to the Devil...
Inspired by Robert Burns and Border ballads, The Strange Undoing of Prudencia Hart is delivered via a romp of rhyming couplets, hellish encounters, lyrical ghost stories and wild karaoke with live musicians. Prudencia's dream-like journey of self-discovery unfolds in and around the audience.
Writer David Greig, director Wils Wilson and composer Alasdair Macrae were inspired to create the show when The National Theatre of Scotland sent them to an old pub in Kelso, to research a 'new piece of theatre'. Midnight rolled around and no one was ready to go home, so the Landlord closed the doors - it was a lock-in. Early in the wee hours, an old man told a "one hundred and ten percent true" story about a group of people who'd come a few years back to search for songs and how one of them had vanished, never to be seen again.
The piece is a site-specific work, designed to be performed "anywhere that people are gathered and warm and have enough drink". Therefore the show is always staged in a tavern, bar, pub or community space - a place where stories are told, re-told, sung and passed on.
Border ballads are a collection of songs from the region where England meets Scotland, a place with a long tradition of balladry. The Border ballads are usually sung unaccompanied and with no chorus, but with repeating motifs and recurring themes, often about the supernatural.
The Strange Undoing of Prudencia Hart originally toured Scotland in February 2011 subsequently playing at Latitude Festival, Òran Mór, Glasgow, and the Edinburgh Festival Fringe in August 2011. The production has won three awards, a Critics Award for Theatre Scotland (CATS) for Best Music and Sound, an Argus Angel at the
Brighton Festival and a Herald Angel at Edinburgh Fringe. Since then it has toured the UK, to numerous festivals and in 2013 will tour Australia, Canada and extensively through the United States.
David Greig was the first Dramaturg for National Theatre of Scotland and his plays have been translated and produced worldwide. They include The American Pilot (RSC), Yellow Moon, Dr. Korcak's Example, Petr, and the award-winning plays San Diego, Outlying Islands and Caledonia Dreaming. His screenplays and television work includes At The End of The Sentence and The Darkest Hour.
Since its launch in February 2006, the National Theatre of Scotland has been involved in creating 186 productions in 156 different locations. With no building of its own, the Company takes theatre all over Scotland and beyond, working with existing and new venues and companies to create and tour theatre of the highest quality. It takes place in the great buildings of Scotland, but also in site-specific locations, airports and tower blocks, community halls and drill halls, ferries and forests.  The company has performed to over 810,000 people across three continents.
www.aaf.co.nz
***** You shouldn't miss this show for the world … rambunctiously life affirming and touchingly beautiful. -The Herald
**** More vibrantly alive than any piece of theatre I've seen in Scotland for years. -The Scotsman
SEASON DETAILS
Show The Strange Undoing of Prudencia Hart
Where Function Room, The Bluestone Room, 9-11 Durham Lane, Auckland CBD
When Wednesday 13 March - Friday 15 March, 7pm
Saturday 16 March - Sunday 17 March, 4pm
Tuesday 19 March - Friday 22 March, 7pm
Saturday 23 March - Sunday 24 March, 4pm
Duration 2hr 30min incl interval
Bookings Book at THE EDGE: www.buytickets.co.nz / 09 357 3355 / 0800 289 842
Group bookings: groups@the-edge.co.nz / 09 357 3354
Information www.aaf.co.nz
Door sales one hour before the show commences. Latecomers cannot be admitted due to the nature of the show.
Licensed premises.  Under 18s must be accompanied by a parent or guardian.
Social Media Facebook: facebook.com/Aklfestival
Twitter: @Aklfestival
Video http://www.youtube.com/watch?v=XxBUBHQ0JvY
Media enquiries Siobhan Waterhouse, Publicist. P: +64 (0)9 374 0317 | M: +64 (0) 22 126  4149
E: siobhan.waterhouse@aucklandfestival.co.nz
CREATIVE CREDITS
Written by: David Greig
Director: Wils Wilson
Cast (all actor/musicians): Andy Clark, Annie Grace, Alasdair Macrae, Dave McKay and Madeleine Worrall
Designer: Georgia McGuinness
Composer: Alasdair Macrae
Movement Director: Janice Parker
Tour made possible by the Scottish Government
With support from the British Council

 

NATIONAL THEATRE OF SCOTLAND (SCOTLAND)

 

Wednesday 13 March - Sunday 24 March, 2013

The Bluestone Room, Auckland CBD

 

NEW ZEALAND PREMIERE

 

This Auckland Arts Festival, The National Theatre of Scotland, of Black Watch fame, is taking theatre to a place Kiwis know and love - the pub. The runaway hit of the 2011 Edinburgh Fringe, The Strange Undoing of Prudencia Hart is an opportunity for audiences to pull up a bar stool, grab a dram and settle in for an evening of great theatre, live music and unusual comings and goings.

 

One wintry morning Prudencia Hart, an uptight academic, sets off to attend a conference in Kelso, a town on the Scottish Borders.  When the snow begins to fall, she takes shelter in a local pub, and as the blizzard sets in, Prudencia finds herself 'locked-in' with a cluster of locals. That's when she hears about the life-altering song. What Prudencia doesn't know is that the song belongs to the Devil...

 

Inspired by Robert Burns and Border ballads, The Strange Undoing of Prudencia Hart is delivered via a romp of rhyming couplets, hellish encounters, lyrical ghost stories and wild karaoke with live musicians. Prudencia's dream-like journey of self-discovery unfolds in and around the audience.

 

Writer David Greig, director Wils Wilson and composer Alasdair Macrae were inspired to create the show when The National Theatre of Scotland sent them to an old pub in Kelso, to research a 'new piece of theatre'. Midnight rolled around and no one was ready to go home, so the Landlord closed the doors - it was a lock-in. Early in the wee hours, an old man told a "one hundred and ten percent true" story about a group of people who'd come a few years back to search for songs and how one of them had vanished, never to be seen again.

 

The piece is a site-specific work, designed to be performed "anywhere that people are gathered and warm and have enough drink". Therefore the show is always staged in a tavern, bar, pub or community space - a place where stories are told, re-told, sung and passed on.

 

Border ballads are a collection of songs from the region where England meets Scotland, a place with a long tradition of balladry. The Border ballads are usually sung unaccompanied and with no chorus, but with repeating motifs and recurring themes, often about the supernatural.

 

The Strange Undoing of Prudencia Hart originally toured Scotland in February 2011 subsequently playing at Latitude Festival, Òran Mór, Glasgow, and the Edinburgh Festival Fringe in August 2011. The production has won three awards, a Critics Award for Theatre Scotland (CATS) for Best Music and Sound, an Argus Angel at the Brighton Festival and a Herald Angel at Edinburgh Fringe. Since then it has toured the UK, to numerous festivals and in 2013 will tour Australia, Canada and extensively through the United States.

 

David Greig was the first Dramaturg for National Theatre of Scotland and his plays have been translated and produced worldwide. They include The American Pilot (RSC), Yellow Moon, Dr. Korcak's Example, Petr, and the award-winning plays San Diego, Outlying Islands and Caledonia Dreaming. His screenplays and television work includes At The End of The Sentence and The Darkest Hour.

 

Since its launch in February 2006, the National Theatre of Scotland has been involved in creating 186 productions in 156 different locations. With no building of its own, the Company takes theatre all over Scotland and beyond, working with existing and new venues and companies to create and tour theatre of the highest quality. It takes place in the great buildings of Scotland, but also in site-specific locations, airports and tower blocks, community halls and drill halls, ferries and forests.  The company has performed to over 810,000 people across three continents.

 

www.aaf.co.nz

 

***** You shouldn't miss this show for the world … rambunctiously life affirming and touchingly beautiful. -The Herald

 

**** More vibrantly alive than any piece of theatre I've seen in Scotland for years. -The Scotsman

 

SEASON DETAILS

 

Show The Strange Undoing of Prudencia Hart

Where Function Room, The Bluestone Room, 9-11 Durham Lane, Auckland CBD

When Wednesday 13 March - Friday 15 March, 7pm

Saturday 16 March - Sunday 17 March, 4pm

Tuesday 19 March - Friday 22 March, 7pm

Saturday 23 March - Sunday 24 March, 4pm

Duration 2hr 30min incl interval

Bookings Book at THE EDGE: www.buytickets.co.nz / 09 357 3355 / 0800 289 842

Group bookings: groups@the-edge.co.nz / 09 357 3354

Information www.aaf.co.nz

Door sales one hour before the show commences. Latecomers cannot be admitted due to the nature of the show.

Licensed premises.  Under 18s must be accompanied by a parent or guardian.

Social Media Facebook: facebook.com/Aklfestival

Twitter: @Aklfestival

Video http://www.youtube.com/watch?v=XxBUBHQ0JvY

Media enquiries Siobhan Waterhouse, Publicist. P: +64 (0)9 374 0317 | M: +64 (0) 22 126  4149 | E: siobhan.waterhouse@aucklandfestival.co.nz

 

CREATIVE CREDITS

 

Written by: David Greig

Director: Wils Wilson

Cast (all actor/musicians): Andy Clark, Annie Grace, Alasdair Macrae, Dave McKay and Melody Grove

Designer: Georgia McGuinness

Composer: Alasdair Macrae

Movement Director: Janice Parker

 

Tour made possible by the Scottish Government

With support from the British Council